Tuesday, May 6, 2014

The Unimaginable Life and the Unfathomable Death


“Lady Lazarus” by Sylvia Plath was an interesting poem to read. As I read this poem, I felt disgusted and disturbed by the words I had just read. Many of Plath’s poems are dark and eerie in a sense, but “Lady Lazarus” was the darkest of her poems I read. According to the footnote, Plath wrote this poem based on her attempts of suicide. She relates her attempts with the Bible story of Jesus raising Lazarus from the dead, and believes that to live now is to rise from the dead (Nelson 988). I found Plath’s connection to the resurrection of Lazarus interesting. “Lady Lazarus” is not the first poem to make biblical references, and reading through her poems made me wonder about her views of Christianity and God. From the poem one can see that this is also not her first attempt at suicide, but “This is Number Three.” Plath’s theme of suicide creates a dark, heaviness to her poem. Death is not something Plath is uncomfortable talking about, but in some strange way, death is almost a comrade of Plath’s. Plath writes,
Dying is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels so real.
I guess you could say I have a call.

I am making the assumption that the speaker of the poem is Plath because of the footnote that said Plath wrote this poem about her suicide attempts. I found the end of Plath’s poem troubling because even after the speaker (Plath), is dead, she continues to speak to those “poking her ash.” Plath declares she will rise again and warns that she will “eat men like air.” There is a bitter tone to the end of Plath’s poem. Is there someone or something that is torturing Plath? I know she had some psychological issues, but what caused her to write such a poem? Is Plath really a Jew, or does she just associate herself as one in her poetry to show the depths of her pain? Is this a forewarning for her further attempts at suicide? I feel as if my words do not do justice to the pain and sorrow of this poem. I cannot even imagine someone using another person’s skin for a lampshade, or turning someone’s body into a bar of soap. This poem goes far beyond my capacity to understand this type of hurt and pain, and even though Plath’s poem was disturbing to read, after reading the poem I felt that I did not feel disturbed enough. What a tough poem.

            From most of Plath’s poems, one can see that death was closer to Plath than life. I know Plath tried to take her life multiple times, and eventually did commit suicide, but I wonder what she would have said about life in general. I found a poem through one of the blogs I follow and the poem is titled “a proper life.” Here is the poem: 

cat on the hearth

dog at the door 

boots at the stoop

cows at the stile



thick coffee mugs

coat on the nail



chores to be done 

eggs in the barn 

hutch full of china 

rugs on the floor



teacups of light

thin as a veil



beds deep & wide

feathers and down



done with the work

stars after dark

“a proper life” is a stark contrast of Plath’s “Lady Lazarus.” Both poems carry the theme of life, but Plath’s “Lady Lazarus” reveals the emptiness and pain of life, whereas “a proper life” portrays life as full and bountiful. This poem characterizes a good life by the presence of cats and dogs, the comfort of someone’s coat on a nail maybe signifying the presence of people being at home, a plentiful supply of “eggs in the barn,” the business of chores, and a nice bed and a beautiful stars to end the day. This poem portrays life as comforting and peaceful. There is fullness and what seems like little pain and trouble. Maybe someone is dreaming of this “picture perfect life,” and envisions this type of comfort and bounty, as the “proper” way life should be. Where “a proper life” is light and cozy, Plath’s work is heavy laden with pain and depression. There is a definite contrast of life between these two poems, and quite honestly, both seem unimaginable. 

2 comments:

  1. I like what you said about Plath in regards to this poem. It is dark, but then there is a darkness in all of us (sin). Plath's openness about her problems, especially in the lines you quoted talking about her suicide attempts reminds me of the song "Hurt" (Johnny Cash version, not NIN version). She was troubled and thought she could get away from her pain by moving to London, but that did not work out too well.

    We are now "poking through her ashes" by reading her works and because of her amazing writing ability she sort of is "eating men like air." Also, she uses Nazi references a lot, what do you think that has in association to her understanding of religion, Christianity specifically?

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  2. Taylor, I enjoyed reading the line where you said 'death was closer to Plath than life.' This is so true and seems to permeate her writing. One thing I found profound was that we have her work in our hands and yet she is someone who contemplated suicide and actually followed it through. The fact that her poetry is so dark and agonizing is raw - and yes, disturbing - but painfully honest.

    Clint, as far as making connections to Plath, Nazism, and matters of faith, Plath seems to find peace, rest, and consolation in death. It seems to end something awful for her. I'm thinking of the line in 'Tulips' that states, "I only wanted to lie with my hands turned up and be utterly empty. How free it is, you have no idea how free - The peacefulness is so bit it dazes you, and asks nothing, a name tag, a few trinklets. it is what the dead close on, finally: I imagine them shutting their mouths on it, like a Communion tablet." (lines 29-35) This is just another example of biblical references that Plath hints at in passing, but she does so in a way that seems knowledgeable of the faith. As far as where she stood on 'life after death' matters, that seems difficult to pinpoint seeing how she committed suicide and many argue that those who take their lives into their own hands go to hell rather than heaven. Sticky stuff.

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